From now on the volumes of the serie 'Tastature Musiche intavolate per strumenti da tasto' published by Andromeda Editrice are also available here to complete the keyboard work existing in our catalogue.
edited by Rita Mattocci
edited by Gian Carlo Torre
Patrizio Barbieri
Rapid developments in acoustics, started in years "thirty" and spurred on by the dualism with electrical circuits and related electronic equipment, have overshadowed the findings of previous historical periods. Despite the recent revival of interest in this field, especially focusing on the Scientific Revolution, much work remains to be done.
The precious volume composed of 23 motets one, two, three, four, five and six voices with the “Bassus ad organum”, by the cortonese Michelangelo Amadei. He was a Bernardino Nanino’s pupil, who became later Chapel Master in his Cortona.
Banchieri’s approach in L’Organo suonarino – which deals with organ music in response to plainchant – is rooted in the older theory of the eight modes, with certain modifications relating to liturgical practice and the church tones, together with some practical considerations of pitch and tuning.
This volume presents itself as an ideal continuation of that work of vocal polyphony rewriting that has began in the Sixteenth Century with the intention to facilitate its execution, and that has become synonymous with the sound coating and timbre research in the course of time.
The anthology aims to create incentives and compressions of sense in no claim to be exhaustive or false objectivity in order to bring out a continuity that runs through the history of civilization and the “amorous question”.
With a stimulating twine of genres, "L’amore pregiudicato" shows the women’s and homosexuals condition during the fascist regime, telling the fantastic vicissitudes of a Sicilian family of that time.
An autobiography of the author that, at the age of eighty-five, tells his life fully lived, with ups and downs, with unexpected always exceeded for good or bad, so the balance of a life of adventure, fighting, long, eventful and full of memories.
Tale with a lively and original content that manages to include a moral truth, accompanied also by colorful and lively illustrations as well as games and tips about angels.
The attention to the work of Spiridione is the result of a renewed interest in the practice of organ improvisation and more in general, in the didactic methods and pedagogic criteria that formed the basis of the theoretical and practical education of an organist.
Banchieri’s approach in L’Organo suonarino – which deals with organ music in response to plainchant – is rooted in the older theory of the eight modes, with certain modifications relating to liturgical practice and the church tones, together with some practical considerations of pitch and tuning.
This second volume comprends: - The ‘Primo Libro di Toccate’ in the version of the last edition (Rome 1637), thus including also the important ‘Aggiunta’. In the appendix the entire version of the three compositions entitled ‘Partite sopra Ruggiero’, ‘Partite sopra la Romanesca’ and ‘Partite sopra la Monica’. - The ‘Fiori Musicali’, edited in score in...
TA 28 - Maione Ascanio (ca. 1570-1627) Primo Libro di diversi capricci (1603) – Primo libro di ricercari a tre voci (1606) – Secondo libro di diversi capricci (1609) This volume represents a significant advancement of the project comprising the critical editions in tablature of the keyboard works from the Neapolitan school.
The first modern edition of a didactic work from the second half of the 17th Century, surprising in its content concerning improvisation for the organ, featuring numerous and interesting musical examples, published in Germany and strongly influenced by the Italian style.
This edition has the merit of offering in print of the works edited in score, both the transcription in score in the original clefs and the tablatures thus giving keyboardists the dual possibility of easy reading in tablature and reading score practice recommended by Frescobaldi.
The collection of Recerchari Motetti Canzoni represents one of the most important documents in organ literature of the early sixteenth century.
The book contains the tablature of the nine compositions and the facsimile of the only preserved specimen at the Florence Conservatory.
Patrizio Barbieri’s Enharmonic instruments and music 1470-1900 is the first complete look at the instruments provided with more than the standard twelve keys per octave, traditionally called ‘enharmonic’...
II revised edition. The third part of the autograph by B. Pasquini containing the famous scherzo upon the Cuckoo's verse, other variations and a first series of a set of dances organised into suites.